This actually has quite a bit merit though I'd probably have gotten You Are What You Is first if I could do it all over again ; it has quite a few great, GREAT melodies, a bunch of neat sound effects that don't usually take total precedence over the music, and of course it has the concept and the accompanying lyrics.
But this is a record that grabs attention right from the start, with its surfeit of invention, ideas and imagination.
Glyn's music is difficult to get a handle on at first, with so many first-impressions Brighton rock critical essays a bewildering headlong rush through the ears. The kinda spaghetti-western-smalltown image that might readily be conjured up by the album's title is one that translates into the slightly cheesy musical idiom Glyn adopts on Yahoo!
And, in keeping with those tales of the old West too I suppose, Glyn's writing displays a strong sense of narrative too, as proved by the eight-minute epic Ballad Of Deano.
Basically, Glyn can't resist drawing attention to himself by means of undeniably impressive, powerfully crafted musical settings and lyrics that passionately and eloquently embrace entirely justified criticism of the unforgivingly corrupt corporate world in which we try to survive.
Also, you can't ignore Glyn's acute and well-developed feel for bright and bold instrumental colour and creative texturing: If you take things at sound-face value, there's quite a feelgood aura to the album generally, notably on the bouncy sunshine-pop of Down Amongst The Living and the iron-clad stompsome beat of School Reunion, and even on the more sinister numbers like The Doomed Ship Allegory and The Clown a very Bowie-esque portrait of a paedophile.
Payback-time comes quite literally on Groomed, an examination of coercion and abuse, which comes on like a breathless cross between The Cure's Love Cats and the Hustle theme tune. A first hearing of tracks like Kafkaesque World can be distinctly overwhelming, with its potent juxtapositions lavish musical setting with smooth crooning delivery to voice the thoughts and words of a torturer.
Elsewhere, perhaps, it can be all too easy to get the feeling that Glyn is deliberately setting out to make an Impact capital "I"! Yet, just as with any situation where there's a definite brimming-over-surfeit of artistic creativity, this eventually involves an element of excess that needs trimming - or at least channelling: In addition, and in spite of the strong sense of integrity that permeates Glyn's lyrical and musical vision, I can't altogether escape a feeling that pastiche is lurking not too far away at times; and this can leave an often desperately unsettling taste.
But then again, as with much music that unsettles, to whatever degree, it's perversely compelling, and against initial expectations I've found myself both returning to a good deal of this disc and keen to explore Glyn's two previous albums.
Education should be fun, and a child's natural enjoyment of, and willing participation in music, can be both a vital element and a useful tool.
And not just to prove the point, Roy has always included a short sequence of children's songs in his live sets, which have appealed every bit as much to the adults in his audience!
The first children's album Roy made was Oats And Beans And Kangaroos, back in the mids, and as recently as nine years ago, the birth of his eldest granddaughter Jessica provided the impetus for the lovely Up The Wooden Hill collection. Now Roy has produced his final oh yes!!
And of course it's a totally engaging disc, attractively packaged and entirely unpatronising for a children's record doesn't have to be full of obvious childlike songs!
The key lies naturally in the CD's title - Tomorrow - which is shorthand for that all-important message for his own, and indeed all, grandchildren: The final two songs - Together Tomorrow and Tomorrow Lies In The Cradle the latter penned by Fred Hellerman of the Weavers group are not only practically unknown but turn out to be particularly moving, for they point this message into our consciousness ever so delightfully and leave us thinking.
Closer to home, Molly's Garden is a thoroughly charming ditty penned by Kit Roy's daughter and Molly's mumwhile The Collier Brig a favourite song of Molly's even gets an unexpected airing.
And when the kids have been captivated and are almost ready for bed, Roy tucks them up with the poetic story of My Pet Dragon by John Maguirewhich is gently enhanced by atmospheric sea sounds created by that good Mr Kirkpatrick's accordion bellows!
In addition to the welcomely omnipresent JK, the album's signature musical backing is provided largely by Martin Simpson, Chris Coe and Andy Seward, with contributions from Andy Cutting and David Bailey and occasional chorus vocals from the assembled Bailey clan.A decade ago, apes and men separated on a bridge, to take two different paths.
The apes followed theirs to freedom, but the path men took led to disease and war.
Now in the moments before dawn, the two paths are destined to collide once again. Queen are a British rock band that formed in London in Their classic line-up was Freddie Mercury (lead vocals, piano), Brian May (lead guitar, vocals), Roger Taylor (drums, vocals), and John Deacon (bass guitar).
Queen's earliest works were influenced by progressive rock, hard rock and heavy metal, but the band gradually ventured into more conventional and radio-friendly works by. Hannah Arendt is a twentieth century political philosopher whose writings do not easily come together into a systematic philosophy that expounds and expands upon a single argument over a sequence of works.
Instead, her thoughts span totalitarianism, revolution, the nature of freedom and the. Hannah Arendt is a twentieth century political philosopher whose writings do not easily come together into a systematic philosophy that expounds and expands upon a single argument over a sequence of works.
Instead, her thoughts span totalitarianism, revolution, the nature of freedom and the. Fifty Orwell Essays, by George Orwell, free ebook. This short piece is one segment of a sequence in “Wake Up and Smell the Coffee” in which I link up the airport to a doomed flight to finally a meeting with a Hollywood producer.